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- QUIZZES
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- Quiz
#1: Perfect Authentic
Cadences
- In four-part vocal
style, write three perfect authentic cadences illustrating the
- three standard combinations
of complete and incomplete chords when
V7 resolves to I
- (i.e., incomplete
V7 resolving to complete I,
- complete V7
resolving to incomplete I,
- and complete V7
resolving to complete I).
- Each cadence will
be written in a different key (any major or minor key is possible),
- and the soprano
will be provided.
- Time limit: 4 minutes
- Practice quizzes
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- Quiz
#2: Common Pre-dominant
Chords
- Realize two progressions
in four-part vocal style.
- Each progression
consists of four chords: I - PD - V - I (where "PD"
is either IV or ii6).
- You may be asked
to write in any major or minor key.
- Only Roman numerals
and figures will be provided.
- Time limit: 6 minutes
- Practice quizzes
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- Quiz
#3: Cadential 6/4
- Realize a five-chord
progression in four-part vocal style.
- The progression
begins on the tonic (either in root position or in first inversion),
- progresses to a
common pre-dominant chord,
- then to a cadential
6-4 chord which either resolves to a V triad or a V7 chord,
- and finally it cadences
on I.
- You may be asked
to write in any major or minor key.
- Only Roman numerals,
figures, and a meter signature will be provided.
- You will need to
write your own rhythm and barlines.
- Time limit: 4 minutes
- Practice quizzes
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- Quiz
#4: Cadence Types
- Illustrate three
different cadence types (two-chord progressions) in four-part
vocal style.
- You are responsible
for all of the cadence types we have covered:
- perfect authentic,
imperfect authentic, half, Phrygian, plagal, and deceptive.
- You may be asked
to write in any major or minor key.
- Only the cadence
names will be provided.
- You will need to
supply the Roman numerals and figures as well as the pitches.
- Time limit: 5 minutes
- Practice quizzes
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- Quiz
#5: Diatonic Sequences
- Given the names
of two different sequence types,
- write the bass line
and the Roman numerals and figures
- for the first five
chords of each sequence.
- Upper voices are
not required, but you may write them for extra credit.
- You may be asked
to write in any major or minor key; expect two different keys.
- Time limit: 3 minutes
- Practice quizzes
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- Quiz
#6: Tonicizations
of V
- Given Roman numerals
and figures for three different chords tonicizing V,
- write the designated
chords and resolve them correctly in four-part vocal style.
- Each progression
is two chords long; the chord of resolution is not specified.
- You may be asked
to write in any major or minor key; expect three different keys.
- Time limit: 5 minutes
- Practice quizzes
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- Quiz
#7: Secondary Chords
(tonicizations beyond V)
- Given Roman numerals
and figures for two different secondary chords,
- write the designated
chords and resolve them correctly in four-part vocal style.
- Each progression
is two chords long; the chord of resolution is not specified.
- You may be asked
to write in any major or minor key; expect two different keys.
- Time limit: 4 minutes
- Practice quizzes
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- Quiz
#8: Transposing Instruments
- Given a very short
melody at concert pitch, re-write for a specified transposing
instrument. Given a very short melody for a transposing instrument,
re-write at concert pitch.
- You will be responsible
for key signatures and clefs as well as pitches.
- You will be told
how each instrument transposes. Expect two different instruments.
- Time limit: 5 minutes
- Practice quizzes
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- If you'd like additional online
drill for transposing instruments, you might want to try Teoría.
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- Honors Music Theory II Home