SEMSEC homepage, news and announcements
History of the chapter, chapter reports, and business.Current officers and contact informationInformation on upcoming and past chapter meetingsInformation about the Dale A. Olsen Prize for best student paper, including past winnersThe website for the Society for Ethnomusicology
Dale A.Olsen Prize
Previous Award Recipients
Procedures

Dale A.Olsen Prize

The Dale A. Olsen Prize is awarded annually to the best student paper presented at the annual SEMSEC meeting. The prize is named in honor of Dale A. Olsen, founding member of SEMSEC and Professor of Ethnomusicology at Florida State University. The award is only given if there is a deserving student paper that meets the criteria of the prize. A student shall be defined as a person pursuing an active course of studies in a degree program. This will include persons who are engaged in writing the doctoral dissertation, but not those who are teaching full time while doing so.

Previous Award Recipients of the Dale A. Olsen Prize

2009

Jonah Chambers
University of Tennessee at Knoxville
"Where is the Line?: Embodied Expression and the Construction of Difference in Björk's Medulla."

2008

Elizabeth Whittenburg
University of Georgia
"Sound of the City: The Transmission of Culture by a College Radio Station."

2007

Jason McCoy
Florida State University
"Making Violence Ordinary: RTLM Radio and the Rwandan Genocide."

Honorable Mention: Plamena Kourtova, Florida State University, "Suffering and Transformation in the Firewalking Ritual of the Bulgarian Nestinari"

2006

Trevor S. Harvey
Florida State University
"Informal Musicking Within an Old-Time Jam Session in Tallahassee, Florida."

more info

2005

Margaret Jackson
Florida State University
"Black Like We: The Sounds and Images of Turkish Hip Hop in Germany."

more info

2004

Holly Wissler
Florida State University
"The Story of an Andean Accordion: The Q’ero Community and Musical Modernization in the Andes."

more info

2003

Lara Greene
Florida State University
"Pa’ que sepa la yuma entera: Cuban Popular Dance Music and the Process of Globalization."

more info

2002

no award given.

2001

David Pruett
Florida State University
"WPAQ Radio: Examining a North Carolina Insider Archive."
[At this time the prize was not yet the Dale A. Olsen prize, simply the best student paper prize.]

Dale A. Olsen Prize Procedures

Funding

The award of $100 will be split 50/50, with funds provided by Dale Olsen and the SEMSEC budget. The SEMSEC treasurer will send a check to the awardee.

Prize Committee

Each year the SEMSEC president will appoint 3-5 people from different institutions, drawn from people who plan to attend the meeting, such as SEMSEC officers and session moderators. The program committee may serve as the prize committee, providing all program committee members attend the conference. Prize committee members should not be students. The program committee chair will also serve as the award chair, provided he or she attends the meeting.

Award Procedures

Students wishing to be considered for the award should submit 5 (or however many members there are of the award committee) hard copies of the paper at registration along with contact information (name, institutional affiliation, mailing address, phone number, email). Late papers will not be considered for the prize. The award will be based on oral and written versions of the paper. The prize will not be awarded if a deserving paper is not submitted. Winners will be announced on the chapter website, in the SEM Newsletter, and at the business meeting during the next SEM national meeting. At the discretion of the chair, committee members may be asked to provide written feedback to students. For example, in 2003, each committee member was assigned one or more papers for more detailed comments to be given directly to the student.

Award Criteria

Committee members rank papers on a scale of 1 to 5, 1 being the best score, according to the following criteria. Note award must be based on both written and oral presentation.

Written Presentation:

  1. Clarity of problem statement
  2. Knowledge of previous research
  3. Organization
  4. Coherence of argument
  5. Originality of research and contribution to the field of ethnomusicology

Oral Presentation:

  1. Effective use of time
  2. Oral communication skills (pace, eye contact, clearly articulated)
  3. Organization
  4. Effective overall presentation, including use of hand-outs, AV (if applicable)